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Greatly aided by these overachieving staff members, newcomer director Kim Hyeon-jeong does a fine job of orchestrating the potentially unwieldy plot mechanisms and diverse elements of the globe-spanning production into a coherent whole.The supporting cast provides an able support as well. This will allow you to make the most of your account with personalization, plus get access to commenting tools, exclusive games, the chance to win cool football prizes and much, much more.

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(Kyu Hyun Kim) Perhaps no Korean film of recent years has had a greater commercial impact than the romantic comedy My Sassy Girl.

Apart from its local success, it was the best-performing Korean film ever to open in Southeast Asia, and Dream Works even bought up rights to produce a remake in the U. The film made instant stars of its leads Jeon Ji-hyun and Cha Tae-hyun, and My Sassy Girl remains the best-selling Korean DVD ever produced.

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These are some reviews of the features released in 2003 that have generated the most discussion and interest among film critics and/or the general public. The recent (and ongoing) wave of 1980s nostalgia has produced cheeky and heartfelt comedies such as Conduct Zero and Bet on My Disco, as well as sincere dramas such as Champion, looking back into the troubled decade with a mixture of longing, fondness and melancholy.

A pawn who learned to question his role as a pawn is no longer useful as a pawn, and must be eliminated. Those who expect the charming tragi-comedy of The Spy Lee Chul-jin (1999) and the slick entertainment of Shiri (1999) will be particularly disappointed: there is one scene of hand-to-hand combat in the entire movie: there is virtually no humor.

Those not familiar with recent Korean history may be completely sideswiped by a major subplot involving the framing of South Korean students in Berlin as Northern spies by the KCIA.

An espionage thriller almost classical in its schemata (A movie that it immediately reminded me of was Martin Ritt's 1965 adaptation of John Le Carre's The Spy Who Came in From the Cold), the movie was somewhat overshadowed by the publicity surrounding the casting of Han Suk-kyu and Ko So-young, both of whom chose this project for a comeback film after long hiatuses.

Han Suk-kyu is a North Korean intelligence officer Rim Byeong-ho, who defects to South Korea from East Berlin circa 1980.

I hope to see more political thrillers like Double Agent in the future, not necessarily about North-South relations, but about all aspects of the recent history of the Korean peninsula.

There are so many compelling stories yet to be told on the silver screen.

Two standouts: Song Jae-ho, (who starred in the two top hit films of 1970s, Young-ja's Heyday [1975], Winter Woman [1977]: it is such a pleasure to see him again in no less than two movies this year), breathtakingly changes from a kindly, humanitarian doctor to an assassin who can coldly "liquidate" a witness in the blink of an eye.

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