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Barbour told Bain he was working with Tommy Dorsey at the Casino Gardens in Los Angeles, and that he was going to stay in town when the band went on the road.Barbour arranged for Bain to sit in with the band one night and when Dorsey asked if he would like to play with the band, Bain responded with a resounding, Sure!

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Bain was playing with the Phil Moore band, when a record date for bebop.

Frank Sinatra wanted to record a bop record, so they decided Phils group was the one.

They worked at places like The Macambo, on the Sunset Strip and La Papillon. group in Europe with actor George Raft and singers Louise Albritton and June Clyde.

When Phil worked there, Howard Hughes had the best table in the house, and it was reserved every night for him. No matter how crowded the place was, that table was empty. The troupe toured England and North Africa, and spent time in Italy.

Colin was in the group that was opening for Brubeck. I knew he had tremendous chops, but when I saw and heard him play in person, I just had to have that technique.

For two weeks, as soon as Joe woke up every day, there I was with the practice pad. Six weeks later he joined the Vince Guaraldi Trio, and played clubs in San Francisco, including several months at the Trident in Sausalito, and other well known clubs such as The Blackhawk and Jazz Workshop.

Dave played in the Benny Goodman Band and later married the bands singer, Peggy Lee.

He also worked with xylophonist Red Norvo and his sextet.

This was the start of a life long friendship between Colin & Joe. That same kind of friendship happened with The Victor Feldman Trio's Victor and Monty Budwig (the great bass player) and Colin. In September of 1963, Colin was called to sub for Tony Williams in the new Miles Davis Quintet. Miles had spent several nights at The Scene (the club that Colin was playing in with Victor Feldman) because he wanted Victor to be the piano player in his new band. There were more jazz greats to play for on various shows: Cannonball Adderly, Errol Garner, Lionel Hampton, Carmen Mc Rae, and Mel Torme. In 1979 Colin moved to Dallas to work in the jingle scene that was thriving there at that time.

Over the next 32 years they worked on many recordings, T. Miles’ group had been booked at another jazz club in L. Victor surprisingly declined, and Miles hired Herbie Hancock. He became a drum teacher at North Texas State University from 1982-84.

Colin lived in Australia in the late fifties and was staff drummer at T. In 1960, Colin met the biggest influence in his life as a drummer.

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