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Major works include Prayer Wheel - ‘Money Makes the Mare Go’ (1997), Jue Chang - Fifty Strokes to Each (1998), Inner Body Landscape (2000), Autelde Lumiere (2000), Zen Garden (2000), Black Broom (2000) and Crystal Ball (1999).

Back to list Artist’s collective formed in 2004 in Kyoto, Japan.

The impact on policymakers was substantial, and many practicing educators today accept the views about intelligence presented in the book and fostered by the media.

The conclusions that many people drew from the book were that IQ tests are an accurate and largely sufficient measure of intelligence, that IQ is primarily genetically controlled, that IQ is little influenced by environmental factors, that racial differences in IQ are likely due at least in part, and perhaps in large part, to genetics, and that educational and other interventions have little impact on IQ and little effect on racial differences in IQ. In this article, I will describe the new knowledge that is most relevant to educators.

After graduating from Queen’s University in Kingston, Cardiff gained a Masters of Visual Arts at the University of Alberta, and at about the same time met partner and collaborator George Bures Miller.

Beginning her creative career in 1983, she has participated in many major international group exhibitions, including the Alberta Biennial of Contemporary Art in 1996, the XXIV Biennale de Sao Paulo in 1998, the Istanbul Biennial and the Carnegie International in 1989, and she has also held many solo exhibitions or exhibitions together with George Bures Miller, including the Powerplant Gallery in Toronto in 1994, the Canadian entry in the 2001 Venice Biennale, and the Whitechapel Art Gallery, London in 2003.

Recent significant exhibitions include the exhibition “Move on Asia” (SBS (Seoul Broadcasting Studio), Seoul, 2005), Shanghai Biennale (2004) and “SCARIFY” (China Modern Independent Image Exhibition, Beijing) (2004). Chen began producing large numbers of unique installations from the late 80’s while teaching at a private art school in Paris that he established together with Daniel Buren and Sarkis.

Chen’s work is characterized by site-specific installations that reflect both his highly-honed sensibility in relation to the materials used and the situation and historical context of the site.

Chen’s focus in recent years has been moving images and will be exhibiting the work [each moment that expands at night] at Yokohama 2005.

Chen explores the psychology of people who pursue, and in the end renounce, the meaningless of mystical experiences that they find themselves experiencing in their everyday lives. After graduating from the Shanghai Fine Arts and Craft School, Chen entered the L’Ecole Nationale Superieur des Beaux-Arts in 1986 and embarked on his career in Europe.

Since studying filmmaking at the San Francisco Art Institute, Calderón continues to create work that breaks away from art’s traditional methodology.

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